Emily McCartney is a Dallas-based, freelance photographer and cinematographer. Her purpose in the balance of still and motion is to cultivate a cinematic aesthetic.  Emily's work varies from large-scale commercial productions to community-based documentary projects.  

Clients include: D Magazine, Chevron, Gas Monkey Garage, Fossil, Cara Mia Theatre, Dallas Independent School District, MEplusYou, Commit!, Good Media, Dave & Busters, Obey, Southwest Media Group, Audi, State Fair of Texas, Dallas Contemporary, Sour Grapes, Art Con, Uplift Education, Nike, Hocker Design Group, Dallas Hispanic Chamber of Commerce, Daily Candy, Skullcandy, Univision, Teaching Trust, Bridge Lacrosse

Equipment Range includes: 

  • BlackMagic Production Cinema Camera 2.5K

  • FreeFly MoVi M10

  • Canon 5D MRK iii

  • Canon 7D



  • Canon C300

  • Kessler Linear Tracking System

Post-Production Range includes: 

  • Mac OS X

  • Final Cut Pro X

  • Motion

  • Da Vinci Resolve

  • Color

  • Compressor

  • Photoshop 

  • Lightroom

  • Aperture

  • VSCO


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